Posts Tagged ‘ Music ’

Nightwish | Imaginaerum

Info:

Genre: Symphonic metal, power metal, orchestral

Length: 74.50

Tracks: 13

Origin: Kitee, Finland

Release Date: 2011-10-30

Review:

Ever since Tarja Turunen‘s departure from the band in 2005, it was hard to believe that Nightwish would ever be the same again without her soprano vocals , especially with the new lead singer Anette Olzon, who quite frankly didn’t fit the part aesthetically or vocally, seemingly better suited as a pop star rather than a symphonic metal queen.  After the 2007 album – Dark Passion Play, I was pretty certain that post-Tarja Nightwish was doomed for failure.  However, fast-forwarding to 2012, Nightwish have upped their game releasing an album that is absolutely brilliant.

I have to admit, that Dark Passion Play was not one of my favourite albums, in fact I hated it, and this was probably to due to the fact that the most recognizable and unique aspect of Nightwish had been extinguished – Tarja Turunen.  For me, it was inconceivable for Nightwish to change their lead vocalist and even though Dark Passion Play did exceedingly well, I did not enjoy it, even to this day.  To me, Dark Passion Play sounded like the band were doing what they do best, except that they failed to compensate for the fact that Tarja was gone, with the result that the music suffered as it didn’t quite suite Olzon’s voice.  However, it’s been five years since Dark Passion Play, and the band have reinvented themselves by creating a concept album that would never have worked with Tarja.  Anette Olzon returns with a wonderfully Gothic presence in Imaginaerum (just watch the Storytime vid), an album that is tailor-made to fit her, allowing Olzon to flex her vocal talents in a spectacular fashion.

So let’s get down to brass tacks.  Imaginaerum is the seventh studio album released by the symphonic metal band Nightwish, it is also worth noting that the band’s latest work is a concept album that tells the story of an old composer on his deathbed, the album was produced alongside the film of the same name.  Since Imaginaerum is a concept album, it incorporates many different musical styles with the result that each song sounds quite different from the last yet somehow the album manages to masterfully maintain a sense of cohesion and consistency.  Apart from the usual staples of symphonic metal (insane guitar riffs, keyboards etc), the album makes use of a full orchestra as well as a choir resulting in an album that sounds very much like a film score from a Tim Burton movie and in fact Tuomas Holopainen has cited that the three main influences of Imaginaerum are film director Tim Burton, author Neil Gaiman and painter Salvador Dalí.  It is also worth mentioning that this album is far heavier than Dark Passion Play.  I can also see why it has taken the band five years to produce this album, as every aspect of Imaginaerum is a finely tuned work of genius, not only is it technically brilliant, but it features some of the eeriest and coolest lyrics ever with lines like;

♫ Where is the wonder, where’s the awe?
Where’s dear Alice knocking on the door?
Where’s the trapdoor that takes me there?
Where the real is shattered by a Mad March Hare ♫

Conclusion | Imaginaerum is without a doubt, Nightwish’s best album to date, everything about it is just so damn good, and the more you listen to it, the more you will like it as the countless hooks present in the album embed themselves into your mind.  If like me, you were put off by Dark Passion Play, fear not, because Nightwish has returned in full force with a masterfully-crafted album, brilliant in every aspect.  I embrace the post-Tarja Nightwish and highly recommend Imaginaerum to anyone with a love of music and if the deal wasn’t sweet enough already, the limited edition of Imaginaerum features a bonus disk with instrumental versions of all the songs, what more could one want out of an album?

Grade: S

My Chemical Romance – Danger Days: The True Lives of the Fabulous Killjoys

Genre: Alternative rock, Pop punk, Electronic rock

Release Date: 19 November 2010

Length: 54.05

Band Active: Yes

My Chemical Romance has been around for a while now, and what started out as an emo band, has slowly been evolving into something more mature and refined, and after the spectacular Black Parade, MCR’s latest album – Danger Days, has turned out to be an impressive piece of work and a breath of fresh air in a saturated market where money and monotony is the order of the day.

The band has somehow managed to reinvent themselves to a certain extent, though Gerard Way’s vocals are present, the overall sound of the band has taken a faster, more upbeat direction and with the result have created a fast-paced, thumping album with catchy songs like – ‘Na Na Na’ and ‘Planetary (GO!)’ which will have you humming and singing along in no time at all.

To add to it all, Danger Days has something of a plot, revolving around ‘The Fabulous Killjoys’ set in a futuristic Californian backdrop (2019 to be exact).  The Killjoys are basically a band of rebels/outlaws who are battling the evil ‘Better Living Industries’ (BL/ind), and follows their misadventures.  The overall theme and music videos has a very anime/Tank Girl type feel to it so expect visual absurdity, though awesomeness nonetheless.  It’s obvious that much time and effort was taken in developing this album and the presentation and quality of the songs are testament to that.

Whether or not die-hard fans will take to the new sound and presentation of Danger Days remains to be seen, however first impressions have been good and globally the album has been well-received, combine that with a new edgy-arachnid logo,and you have a winning formula.  Overall, Danger Days is an impressive, confident-sounding album, sure to please fans, both old and new.  Highly recommended.

Masterplan – Time to be King

Genre: Power metal, heavy metal

Release Date: 21 May 2010

Band Active: yes

This is the one album that I’ve been waiting for in anticipation since I heard that Jørn Lande would be returning as lead vocalist.  The first two albums that Lande fronted were absolutely brilliant and after the half-baked MK II (sans Lande) album in 2007 – Time to be King was ‘a new hope’.

Sadly, Time to be a King left me feeling underwhelmed.  The album seems to be lacking some core component that made the first two albums so fantastic.  Even with Jørn Lande’s amazing voice, the songs seem to be rather uninspired though I quite liked Fiddle of Time, Far from the End of the World (which I had previously heard on the EP) and the bonus track – Kisses from You (which I might add sounded very Queen-like).

It seems that the band is incapable of outputting the same sort of songs -  Spirit Never Die, Sail On, Crawling from Hell, Crimson Rider and Into the Arena – that attracted me to the band in the first place.  Too much droning and not enough power metal is the main problem in my opinion.  Either there is a lack of energy in the band or I’m getting old, Masterplan – Time to be King just doesn’t have the same ‘oomph‘ as its predecessors and sadly Lande’s singing isn’t that great when not in a power metal environment (I’ve heard his solo stuff and it’s horrible) and that’s just what this album lacked – power.

I’ve decided that it’s futile to excitedly wait for new albums of once-great bands as invariably it’ll end in disappointment (I acquired the latest albums of NIN and Eisbrecher to see what they were up to and regretted it immediately).  Though fans may enjoy this album, I for one didn’t and will seek out other power metal bands in an effort to fill the void that was left behind after Masterplan and Aeronautics.

Muse – The Resistance

Genre: Alternative, symphonic, progressive rock

Release Date: 14 September 2009

Band Active: Yes

Muse isn’t a band that really got my attention to begin with, from hearing them on TV or online, their musical style never really appealed to me.  The Resistance is the first full album of the band that I’ve acquired and it’s clear to me that you’d really have to be a fan of Muse in order to really enjoy the album, which I find to be mediocre at best.

In my experience, the work of a band generally degenerates over time, usually the first couple of albums are really great and then after a while the musical style becomes somewhat stale since often times once a band has established a successful formula they tend to stick with it – however there’s always the exception, with System of a Down and Rammstein topping my list.  I can then only assume that Muse’s earlier albums are superior to The Resistance but after listening to it I highly doubt that I’d be compelled to hear their previous works.

I find lead vocalist, Matthew Bellamy’s voice to be somewhat tedious and monotone though it must be said that the variety of musical instruments ranging from guitars to synthesizers is quite impressive, giving the band a rather unique flavour.  To me most of the songs sound similar with one track blending into the next however; United States of Eurasia reminded me of a Queen song so there’s that at least.

Overall, if you’re a Muse fan (judging from how well-received this album was) you’ll probably enjoy it however casual listeners may want to look elsewhere.

Creed – Full Circle

Genre:  Post-grunge, hard-rock

Release date:  27 October 2009

Band Active:  Yes

Creed is one of those bands that people either love or hate, though it seems to be the music industry doing most of the hating.  Hailing from Tallahassee, Florida, Creed had much success with their three multi-platinum selling albums, and despite all their success they disbanded in 2004.

There is some speculation as to why such a successful band broke up, and I think most of the blame can be placed on Scott Stapp, the lead vocalist.  Scott Stapp is, to put it bluntly; a fuck up.  He’s gifted with a deep and powerful voice and may seem to be holier than thou, what with his moving lyrics and voice, but Mr. Stapp is something of a basket case.  Reckless driving, wife beating and even a suicide attempt top the list of stupid shit he’s been involved in.  Anyway, in 2007  Creed got back together and almost two years later they released their latest album in 2009, Full Circle, so does it offer anything new for fans? In a word, no.

Full Circle sounds just like their previous three albums, and while those albums might have sounded fantastic back in the ’90s, Full Circle just doesn’t offer the listener anything new, and we’re met with the same old tired, droning of Stapp which tends to be a little disconcerting as each song melds into the next, you’re not really sure where once song ends and the next begins.  None of the songs on this album really offer any hooks so it’s not very likely that you’ll be humming their songs on your way to work/school, or whatever the case may be, however I did like the songs; Suddenly and On My Sleeve but they’re nowhere near as good as Higher, With Arms Wide Open or Bullets, three brilliant songs from previous albums.

Track Listing:

  1. Overcome
  2. Bread of Shame
  3. A Thousand Faces
  4. Suddenly
  5. Rain
  6. Away in Silence
  7. Fear
  8. On my Sleeve
  9. Full Circle
  10. Time
  11. Good Fight
  12. The Song you Sing
  13. Silent Teacher (iTunes pre-order bonus track)

I could only recommend this album for die-hard Creed fans, I don’t think Full Circle is something that would interest the modern Metal fan or even those with only a passing interest in Rock.  It’s been almost nine years since their last studio album, and judging from the band’s latest release, I think it’s time that they disband for good.

Score: 2/5

Follow

Get every new post delivered to your Inbox.